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2023

 

  • 2023/2/25-26
    擔任差事劇團《千年之遇》配樂創作，於台中國家歌劇院演出。

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  • 2023/4/1-7
    與台灣藝術大學聲響中心一起代表台灣前往法國巴黎盧米埃爾電影學院交流，發表Ambisonic 聲響作品《扮仙》。

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  • 2023/9-12
    擔任輔大深耕計畫：藝術進化《立體.聲.境》行動方案—學院數位創新產業鏈結課程改造計畫之音樂課程規劃與執行，為音樂系首次融入AI音樂創作之課程。

 

  • 2023/10/20-21 
    於台灣智慧財產法學會在國立中正大學財經法律學系舉辦之「2023臺灣智慧財產學會著作權研討會」中發表論文—《後數位AI時代音樂人與其創作歸屬的認知經驗之研究 》。

 

  • 2023/11/4-5
    擔任屏東縣文化局製作之《唱吧唱吧》原創音樂劇音樂創作與編曲，於屏東藝術館演出。

 

  • 2023/11/27 
    委託創作《孜孜》雙鋼琴與電聲作品於衛武營「《璀璨53》台南應用科技大學音樂系教師音樂會」中首演，由鋼琴家郭亮吟，李錦雯邀請創作並擔任演奏。



2022

 

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  • 工作坊（workshop）：2022 鐵道電腦實驗音樂工作坊 https://sandrawcl.wixsite.com/2022hc-rail

    當代領域的探索有著更多的可能與不可能正在嘗試

    關於 #具象音樂創作 🎼🎤🎧 <<向具象音樂音樂家皮埃爾·舍費爾致敬>> 工作坊能帶著大家了解且運用屬於在鐵道藝術村環境下的音樂創作。1948年，法國作曲家皮埃爾・謝弗(Pierre Schaeffer) 利用巴黎地鐵錄製的聲音，組合並發表第一部具象音樂作品《鐵路上的練習曲》(Etude aux Chemins de Fer)。 對於具象音樂的詮釋，皮埃爾・謝弗表示：「以往的非具象的音樂是指作曲家將音樂轉換成作曲符號，寫在樂譜上，由音樂家識譜後演奏才產生音樂。可是樂譜不能發聲，只是傳達音樂的載體，對音樂的詮釋是抽象的符號，而不是音樂本身。具象音樂直接將聲音錄製，直接在聲音上進行創作，聽到的便是聲音的全部面貌，不再需要符號等抽象的工具來過渡，創作手法本身便是具象的。」(對話內文引述維基百科)

    2022年，在手機和錄音設備相對便利的當下，要進行具象音樂的創作似乎更加平易近人，錄音的取得極為方便且多元，創作者則可以更親近感受聲音的造型，更專注思考如何把不同聲音拼貼和組合在一起。 本工作坊此次特別開在「鐵道第一排」的新竹市鐵道藝術村，伴隨火車穿梭來往的真實場景下，歡迎對具象音樂有興趣的朋友，一起嘗試音樂創作！
    2022/2/19 14:00-18:00 地點：新竹市鐵道藝術村 5號工作室
     

2021

 


 



2020

 

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2019

 
  • “Summer Morning Rain"—for Piano and computer-generated sound
    The Loreto Theater - The Sheen Center, New York, 2019 ICMC, 2019 NYCEMF
    2019.6.23
     
  • Tscherkassky, Man Ray : cinéastes, 2019  ManiFeste, IRCAM,  Soundtrack presentation–L'Arrivee–Peter Tscherkassky (https://manifeste.ircam.fr/agenda/tscherkassky-man-ray-cineastes/detail/)
    2019.6.19
     
  • “About the processing"
    Lecture, DAT, Taipei (https://www.facebook.com/events/628288594324059/)
    2019.7.27
     
  • 《異響天天開》電音/聲音創作基礎工作坊 《Made your_______》 Computer Music/Sound Workshop
    https://www.accupass.com/event/1907291237062107853340
    文化部「科技藝術實驗創新及輔導推動計畫」 科技藝術系列講座
    主辦：文化部       承辦：Dimension Plus
    2019.8.17
     
  • ”Humans and tools" — 《人與工具共舞的超時空》
    Lecture forum, 
    第五屆科技藝術國際學術研討會 The 5th International Symposium of Art and Technology 2019 »
    http://isat2019.blog.nctu.edu.tw/
    2019.9.1
     

  • 2019 TAxT 桃園科技藝術節
    黃致傑 x 李婉菁
    《脈動 Heartbeat Instrument》
    互動式聲光裝置（居家飾品），透過觸碰擷取觀者手上的心跳訊號，同步化上百顆燈泡的閃爍動態、以及驅動數位聲音的旋律演奏。
    https://www.taxt.tw/4064333268206252019.html
    2019.10.15- 11.03
     

  • 2019 影像興樂園｜創意MV工作坊—音樂變！變！變！
    講座課程 （感謝林桂如老師邀請）
    宜蘭中興文創園區興創館
    2019.10.20
     

  • 韓國濟州大學現代音樂節/研討會，與導演黃鼎鈞共同發表影像與聲音作品《Niwata》
    https://youtu.be/M8YL5T047HU 
    2019.11.11
     
  • 琵琶地台灣校友會音樂會，高雄衛武營
    《南洋櫻之舞》寫給雙鋼琴，長號與電聲，首演
    https://www.artsticket.com.tw/CKSCC2005/Product/Product00/ProductsDetailsPage.aspx?ProductId=rotyiUrPteQSm3yXExmzabcdef
    2019.11.23


2018

 
  • “In A Soundscape 2"
    —for Oboe and computer-generated sound presented by Yi-an Huang, National Experiment Theatre, Taipei (6/25/2018 ).
     
  • "Signal Exchange"—for Real-time sound processing through computer and live performance, with Yung-hong Wang and Cevo Cheng-yen Yang, ICMC 2018 selection. https://goo.gl/C6b333
     
  • “Ban Shan"—for 8 speakers surround sound (fixed media), ICMC 2018 selection
     
  • Selection: Soundtrack–Music for 2018 Διεθνής Διαγωνισμός Σύνθεσης για ταινία animation (International Composition Competition for animation film).
     
  • Selection: Internationales-musikinstitut Darmstadt. Soundtrack–L'Arrivee–Peter Tscherkassky
     
  • “Ban Shan"—Libélula Sonora: música electroacústica y experimental asiática



2017
 
  • Music director for "（今晚，還有誰）去大馬士革 Who else going tonight, to Damascus The 10th GLT Lunar New Year Gala", Guling Street Avant-Garde Theatre / Body Phase Studio (https://goo.gl/Ctt3He)
     
  • "Wind and The Dancing Bamboo”—for piano, soundscape and computer-generated sound
 
Wuan-chin Li (Sandra Tavali): Piano and Computer generated sound
Laila(Chin-Hui) Fan: Soundscape - bamboo forest field recording
presented in 2017 Klingt gut! Hamburg, Germany.
 
  • "Duet in Autumn"—for Max and Yamaha Disklavier
    (Selection: 2018 New York City Electroacoustic Music Festival, Concert 18, Abrons Art Center, Playhouse, https://www.youtube.com/watch?v=7i4__rtQ8Js 
 
  • "In A Soundscape"—for two pianos and computer-generated sound
    Presented by Chia-Chi Hsu and Pei-Chun Liao, National Concert Hall, Taipei (9/24/2017 https://www.facebook.com/HLPianoDuo/videos/1882692895362098
     
  • “Ban Shan” http://sandrawcl.wixsite.com/banshan
    —for 5.1 surround sound (fixed media), featured in 2017 The New York City Electroacoustic Music Festival, USA.

    "Ban Shan.......an impression of combined dancerly delicacy and cosmic largeness emerges, and the protected god became a powerful force of creativity."— Jean Ballard Terepka, Music Critic, New York (2017, 6)



2016
 
 
  • “River" (with Yi-an Huang, Cheng-yen Yang)
    —for oboe and computer-generated sound, featured at 2016 The New York City Electroacoustic Music Festival, New York, USA.
    http://sandrawcl.wixsite.com/river
 
        https://youtu.be/a3PSro-q7xQ
 
  • Music for Changhua County Government CF
     
  • "Handmade" Computer Music Workshop at Wansha Art center (Tainan), Trees can be art center (Kaohsiung)
 
 
2015

 
  • "Dirge" (Produced by Guling Avant-garde theatre, with Ivan Voinov, Cheng-yen Yang, Bruce Wang, vocal: Chi, Arai Toshimasa)
—for prepared piano, metal vocal, and computer-generated sound in real-time controlling. (featured at 2015 ICMC - International Computer Music Conference, Texas, USA) https://youtu.be/Hfz-yMUk878
 
  • "The week of Music can shape music" festival (”樂之形音樂週“, produced by Body Phase Studio and Guling Street Avant-garde Theater, 2015) 
     
  • "Weave"
    —for orchestra and computer-generated sound. featured by Taoyuan Philharmonic Orchestra, Nan-Hai Theatre Concert Hall.
 
  • "Handmade" Computer Music Workshop at Wansha Art Center, Tainan2015



2014

 
 
2013

 
  • The soundtrack of “Back to Memories" https://vimeo.com/83107786 (First prize for old film rewards, Taipei Film Archive Center, 2013)
     
  • Music for Exhibition: King Hu: the Renaissance Man, Museum of Contemporary Art Taipei. (http://youtu.be/0RaS-ZmB9DY , 2012)



2012
 
  • Green Fair CF soundtrack (2012)
     
  • “EX!T 2012”, for real-time experiment film 8mm player and a live band. (Visual artist: Hang-Jun Lee)

 

2011

 
  • Hard Rock Music Festival, CF (2011)
     
  • Kavalan International Short Film Festival CF soundtrack (2011)
     
  • Movie "ENCORE” music/soundtrack (Italian the ASOLO Film Arts Festival, Director: Lai Kin Fai, 2011)
     


2010
 
 
  • The soundtrack of "Looking Back Lost" (Director: Chen Wei, 2010 Electrical Engineering Hall of the digital value-added contest first prize in 2011, Kaohsiung Film Festival International Short Film Festival Finalist 2012 Urban Nomad Film Festival short film finalists)
     
  • Land Bank of Taiwan Council for Cultural Affairs, historic building restoration documentary (Director: Zheng Wentang)
     
  • "peace +" for computer, piano, DJ and visual (2010)
     
  • "Love, or still, love" 2010 Kaohsiung Film Festival trailer soundtrack http://www.youtube.com/watch?v=ykovZny_qhQ  
     
  • "East food market Rhapsody for Piano, DJ, and computer sound (2010)

 

2009
 
 
  • Musical "Dark Baroque" - Music Director, International Theatre Festival (Produced by Body Phase Studio and Guling Street Avant-garde Theater)
     
  • "Love in the Blood" 2009 Kaohsiung Film Festival trailer soundtrack
     
  • Information Bureau "Taiwan Falls Legend soundtrack (Director: Chen Wei, 2009)
     
  • Martinus Miroto Martini ‧ density Radha: ballet "imprint" soundtrack - Taipei Artist Village (2009)
     
  • Discovery Channel Discovery Channel "Enigmatic Taiwan" series soundtrack (Director: Chen Wei, 2008)

 

2007
 

Music for Experiment film project "Awake" by Tony Chun-hui Wu (http://www.heath.tw/nml-article/wuchunhui1/)

 

2006
 
 

2005
 
 
  • Music for Drama, “Road, Movie” (Director: Mia Chen), featured at Taiwan National Experimental Theatre.
 
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